Tuesday, March 31, 2009

ActingKids@the Alley After School program enrolling now

Beowulf Alley Theatre’s Presents ActingKids@the Alley After School

 

(March 30, 2009-Tucson, AZ) Beowulf Alley Theatre Company, 11 South 6th Avenue, Downtown Tucson, is launching its youth education programs in April beginning with after school programs for two age groups:

 

Introduction to Theatre

Ages 9-12 on Mondays, Apr. 20-May 18
Ages 13-16 on Tuesdays, Apr. 21-May 19

3:30-6:00 p.m., at the Theatre, 11 South 6th Ave.

A reception for each group of prospective students and their parents to introduce Sheldon Metz, tour the facility and learn more about the programs will be held at the theatre on Monday, April 13. For ages 9-12, the gathering is 5:15-6:45 p.m. and for ages 13-16, at 7:00-8:15 p.m.

These challenging and lively, 5-week introductory training programs are designed to teach the basics of theatre: positions of and movement on the stage, technical equipment, collaboration and courtesies of theatre, discipline and focus, breathing, voice and movement, vocal projection, self-confidence, and critical thinking in a fun and exciting atmosphere. Students learn how to unlock their imaginations and emotions, develop character through discovery and play. Students are on the stage most of the time with occasional visits from working theatre artists. Scenes are performed and constructive peer criticism techniques are learned.

Sheldon Metz has been active in theatre for over 56 years, in Chicago and Los Angeles, ever since playing Hansel at the age of six. He is an award-winning director and set designer as well as an actor and instructor of acting and directing. Gordon Davidson calls Sheldon his "go to guy." Sheldon founded and served as Executive Director of A.C.C.T., The Association of Commercial and Community Theatres, the West Coast Theatre Conference (Los Angeles) and The Theatre Conference (New York). He also served as a Producing Director for the Playwrights Kitchen Ensemble (PKE), under the Artistic Direction of Dan Lauria.

$100 ages 9-12 and $150 ages 13-16
online at www.beowulfalley.org or by phone at (520) 622-4460
Questions? E-mail Beth Dell at theatre@beowulfalley.org

 

ActingLab@the Alley: Spring Acting Classes Now Forming

Beowulf Alley Theatre’s ActingLab@the Alley: Spring Acting Classes Now Forming

 

(March 30, 2009-Tucson, AZ) Beowulf Alley Theatre Company, 11 South 6th Avenue, Downtown Tucson, is accepting registrations for its Professional Actor Training Program: Stanislavski’s Ultimate Technique, The Method of Physical Actions and Active Analysis. Features of the program include Personal Attention in a Studio Atmosphere, Improvisation, Monologue and Scene Study, Voice, Speech  and Psychophysical Movement and Performance Showcases.

Students begin the first year of training with assimilation of the technique through an introduction to the basic tools and vocabulary of the System. Psychophysical conditioning exercises focus on exploring the various elements of an action: meditation; inner and outer monitors; concentration; relaxation; control of the flow of muscular energy; measure of truth; tempo-rhythm; silent and verbal improvisation; imagination/film of images; breath support; voice and speech; movement; etudes; monologue and scene work.

 

There are two classes from which to choose for the 8-Week Spring Course: Wednesdays, April 8 – May 27, 2009 from 6:30 pm to 8:30 pm or Saturdays, April 11 – May 30, 2009 from 10:00 am to 12:00 pm. Students are given the flexibility to shift to the alternate class in the event of a rehearsal of film shoot. The fee is $350.00 – Less than $22 per hour! Payment plans are available.

 

Philip Bennett is an award winning actor, director and instructor of the Stanislavski System of Acting. He is a founding member of the American Stanislavski Theatre (AST) in New York City and a protégé of Russian émigré teacher and director, Sonia Moore. Phil served as the Assistant Artistic Director of AST where he was both an actor and instructor. In 1976, he founded the San Francisco Theatre Academy at Fort Mason, and subsequently the Bennett Theatre Lab, an avant-garde actor training company. Internationally acknowledged for his expertise in both classical and contemporary theatre, he lectures and conducts workshops at prominent universities and conventions. Graduates appear regularly in films, on television and the professional stage.

 

For further information call Philip Bennett at 520-495-5652 or Beowulf Alley at 520-622-4460.

 

Beowulf Alley Theatre presents "Proof" by David Auburn

 

 

Contact: 

 

Beth Dell, 622-4460

theatre@beowulfalley.org

 

FOR IMMEDIATE RELEASE

 

Beowulf Alley Theatre Presents Proof by David Auburn

 

(March 30, 2009-Tucson, AZ) Beowulf Alley Theatre Company, 11 South 6th Avenue, Downtown Tucson, will present Proof by David Auburn, April 10-26 on Thursdays, Fridays and Saturdays at 7:30 p.m. and Sundays at 1:30 p.m.

 

The last play of the 2008-2009 season at Beowulf Alley, Proof is being directed by Sheldon Metz (Noche de los Muertos). The cast includes Jill Baker, Chris Farishon, Jonathan Northover and Roberto Guajardo, recipient of the 2008 Tucson Pima Arts Council Lumies Award for Lifetime Achievement and the Tucson Weekly 2006 "Best of Tucson" Award -- Best Performance by a Thespian.

 

When asked to describe the play, Director Metz said, “Proof superficially explores topics of mental stability and genius. More significantly, it's a play about character, about finding solutions to life's problems and the trust we place in these solutions, in ourselves, and in each other. The proof in Auburn's play is less about mathematics than it is about putting trust to the test. “

 

The April 10th preview performance is at 7:30 and the ticket price is $10. Saturday, April 11 is opening night with a post show reception to follow. Dialogues with…, a discussion session, will follow the Sunday, April 12 performance with the director, cast, designers and production team. General admission tickets are $20.

 

As part of our community commitment, we will be hosting a benefit performance and post-show Reception hosted by The Cup Cafe, Hotel Congress to celebrate mathematics and support the U of A Center for the Recruitment & Retention of Mathematics Teachers on Thursday, April 23— Tickets are $30 ($10 is a donation for CCR). We hope you will attend this worthwhile event and help them raise funds to continue to help teachers help and inspire their students.

 

There is an online discount for all performances except the preview at our website, www.beowulfalley.org.

 

Wednesday, March 18, 2009

Actor Training Program in Stanislavski's Ultimate Technique - ActingLab@the Alley

Beowulf Alley Theatre Company and Philip Bennett

Present.......ActingLab@the Alley

 

A Professional Actor Training Program in Stanislavski’s Ultimate Technique

The Method of Physical Actions and Active Analysis

 

 

8-Week Spring Course Begins Soon! Register now!

 

Wednesdays - Section B 

April 8 – May 27, 2009

6:30 pm to 8:30 pm 

OR

Saturdays - Section A

April 11 – May 30, 2009

10:00am to 12:00 pm

 

"The duty of the instructor is to discover the spark of genius within the student, and then to give the student the technical skill and confidence to bring it to the fore." 

 
 

 

 

 


A continuation of the practical introduction to the elements of stage action, improvisation, breath work, voice production and preparatory scene work. Fee:  $350.00 – Less than $22 per hour!

(Limited discounts; payment plans may be available)

 

Mr. Bennett is an award winning actor, director and instructor of the Stanislavski System of Acting. He is a founding member of the American Stanislavski Theatre (AST) in New York City and a protégé of Russian émigré teacher and director, Sonia Moore. Phil served as the Assistant Artistic Director of AST where he was both an actor and instructor.

 

In 1976, he founded the San Francisco Theatre Academy at Fort Mason, and subsequently the Bennett Theatre Lab, an avant-garde actor training company. Internationally acknowledged for his expertise in both classical and contemporary theatre, he lectures and conducts workshops at prominent universities and conventions. Graduates appear regularly in films, on television and the professional stage.

 

For further information call:  Philip Bennett at 520-495-5652

or call Beowulf Alley at 520-622-4460

Class Size is Limited – Register HERE for the Spring Term

Monday, March 09, 2009

ActingLab@the Alley Educational Symposium: Unlocking Shakespeare as a Second Language©

Media Contact:  Beth Dell, Managing Director

theatre@beowulfalley.org

(520) 622-4460

 

 

Beowulf Alley Theatre Company
11 South 6th Avenue · Tucson, AZ   85701

Administration 622-4460 · Reservations 882-0555

www.beowulfalley.org

theatre@beowulfalley.org

 

For Immediate Release

 

(Tucson, AZ, March 9, 2009) Beowulf Alley Theatre Company’s ActingLab@the Alley presents the next stage in an ongoing series of educational Symposia: Unlocking Shakespeare as a Second Language©  on Sunday, March 22, 2009, 4:00p-8:00p at the Theatre, 11 South 6th Avenue. A four hour workshop based on the techniques of the Royal Shakespeare’s Voice and Speech Coach, Cicely Berry, author of The Actor and the Text, conducted by Philip G. Bennett, Dean of Adult Education.

 

Philip G. Bennett has been training actors for repertory companies and advanced programs in England since 1969. He is a founding member of American Stanislavski Theatre where he trained and served as Assistant Artistic Director to Sonia Moore of the Moscow Art Theatre. He has also trained with noted British Director, Peter Brook of the Royal Shakespeare, Voice Coach Carol Gill, (RSC), Director Dan Milne, (RSC) and Actor/Coach Robbie Ross, (RSC). He is founder of the San Francisco Theatre Academy and the Bennett TheatreLab, a three-time recipient of the Hollywood Dramalogue Award, and recognized by the National Acting Competition Awards as one of the top ten coaches in the United States.

 

Unlocking Shakespeare… gets you “up-on-your-feet” immediately. The workshop will begin with extensive breathing exercises, vocal warm-ups and speech drills followed by enjoyable group physical exercises that address each of Shakespeare’s poetic devices.

 

You will learn how to create:

§ A dynamic vocal instrument

§ Tools you can use right away

§ Confidence in speaking Shakespeare’s language with ease and understanding.

 

“Before long you will be speaking Shakespeare’s poetry as if it were a Second Language.” ©

 

$40 online at www.beowulfalley.org or by phone at (520) 622-4460. Questions? E-mail Phil at philipbennett@yahoo.com.

 

###

_____________________________________________________________________________________

Beowulf Alley Theatre Company, a 501 (c)(3) organization, is committed to enriching the community and enhancing appreciation of the arts through the production of innovative, invigorating theatre and theatrical education with the highest standards for acting and production. Equal and fair treatment will be provided to all participants regardless of race, color, national origin, ancestry, religion, gender, age, disability, sexual orientation, gender identity, familial status and/or marital status. Founded based on dialogues with local theatre artists who wanted a permanent home to practice their craft, its intimate 95-seat theatre provides a facility that meets professional standards where performing artists, educators and technicians can present their skills. Because Beowulf Alley engages a talent and volunteer pool that calls Tucson “home” for its productions, the Theatre is committed to helping grow a new generation of Tucson talent with its educational programs for young people. And true to its roots, the Theatre maintains ongoing dialogues with the community, including Dialogues with theatergoers after the first Sunday matinee performance of each of its main stage plays, at Readers’ Theatre nights, and other presentations, providing an opportunity for theatergoers to discuss the plays with the director and artists. Writers who cover the Tucson arts scene say the Theatre provides its audiences with “the best total package”—plays, performances and productions that are high in artistic and technical quality. Beowulf Alley has received critical acclaim, including two Mac Awards and seven MAC nominations. The company has presented over 200 performances to Tucson audiences since 2002 and has served hundreds of theatre artists. The theater also provides performance and rehearsal space for other Tucson theater companies. For more information, log on to www.beowulfalley.org. We thank the National Endowment for the Arts, the Arizona Commission on the Arts, the Tucson Pima Arts Council, the Janet S. Brunel Residuary Trust, and our business sponsors for their support.

Beowulf Alley Theatre Company's ActingKids@the Alley classes

Media Contact:  Beth Dell, Managing Director

theatre@beowulfalley.org

(520) 622-4460

 

 

Beowulf Alley Theatre Company
11 South 6th Avenue · Tucson, AZ   85701

Administration 622-4460 · Reservations 882-0555

www.beowulfalley.org

theatre@beowulfalley.org


For Immediate Release

 

(Tucson, AZ, March 9, 2009) Beowulf Alley Theatre Company’s ActingKids@the Alley presents two new afternoon classes for Tucson’s youth: Introduction to Theatre—Ages 9-12 and Introduction to Theatre—Ages 13-16 at the Theatre, 11 South 6th Avenue, conducted by Sheldon Metz, Youth Program Director.

 

Introduction to Theatre—Ages 9-12

Introduction to Theatre—Ages 13-16

Mondays, April 20—May 18, 2009

Tuesdays, April 21—May 19, 2009

3:30-6:00 p.m.

3:30-6:00 p.m.

$100 online at www.beowulfalley.org or

by phone at (520) 622-4460

$150 online at www.beowulfalley.org or

by phone at (520) 622-4460

 

These challenging and lively, 5-week introductory training programs are designed to teach the basics of theatre: positions of and movement on the stage, technical equipment, collaboration and courtesies of theatre, discipline and focus, breathing, voice and movement, vocal projection, self-confidence, and critical thinking in a fun and exciting atmosphere. Students learn how to unlock their imaginations and emotions, develop character through discovery and play. Students are on the stage most of the time with occasional visits from working theatre artists. Scenes are performed and constructive peer criticism techniques are learned.

 

A reception for each group of prospective students and their parents to introduce Sheldon Metz, tour the facility and learn more about the programs will be held at the theatre on Monday, April 13. For ages 9-12, the gathering is 5:15-6:45 p.m. and for ages 13-16, at 7:00-8:15 p.m.

 

Sheldon Metz has been active in theatre for over 56 years, in Chicago and Los Angeles, ever since playing Hansel at the age of six. He is an award-winning director and set designer as well as an actor and instructor of acting and directing. Gordon Davidson calls Sheldon his “go to guy.” Sheldon founded and served as Executive Director of A.C.C.T., The Association of Commercial and Community Theatres, the West Coast Theatre Conference (Los Angeles) and The Theatre Conference (New York). He also served as a Producing Director for the Playwrights Kitchen Ensemble (PKE), under the Artistic Direction of Dan Lauria.

 

For more information, e-mail Beth Dell at theatre@beowulfalley.org or Sheldon Metz at thedrektor@gmail.com or call (520) 622-4460.

 

###

_____________________________________________________________________________________

Beowulf Alley Theatre Company, a 501 (c)(3) organization, is committed to enriching the community and enhancing appreciation of the arts through the production of innovative, invigorating theatre and theatrical education with the highest standards for acting and production. Equal and fair treatment will be provided to all participants regardless of race, color, national origin, ancestry, religion, gender, age, disability, sexual orientation, gender identity, familial status and/or marital status. Founded based on dialogues with local theatre artists who wanted a permanent home to practice their craft, its intimate 95-seat theatre provides a facility that meets professional standards where performing artists, educators, and technicians can present their skills. Because Beowulf Alley engages a talent and volunteer pool that calls Tucson “home” for its productions, the Theatre is committed to helping grow a new generation of Tucson talent with its educational programs for young people. And true to its roots, the Theatre maintains ongoing dialogues with the community, including Dialogues with theatregoers after the first Sunday matinee performance of each of its main stage plays, at Readers’ Theatre nights, and other presentations, providing an opportunity for theatregoers to discuss the plays with the director and artists. Writers who cover the Tucson arts scene say the Theatre provides its audiences with “the best total package”—plays, performances and productions that are high in artistic and technical quality. Beowulf Alley has received critical acclaim, including two Mac Awards and seven MAC nominations. The company has presented over 200 performances to Tucson audiences since 2002 and has served hundreds of theatre artists. The theater also provides performance and rehearsal space for other Tucson theater companies. For more information, log on to www.beowulfalley.org. We thank the National Endowment for the Arts, the Arizona Commission on the Arts, the Tucson Pima Arts Council, the Janet S. Brunel Residuary Trust, and our business sponsors for their support.

 

Thursday, February 19, 2009

'3 Guys' provides color coordinated joys and sorrows

'3 Guys' provides color coordinated joys and sorrows

'3 Guys' provides color coordinated joys and sorrows
CHUCK GRAHAM
Published: 02.19.2009


If tragedy breeds comedy, a lot of tragedy should breed a lot of comedy. That is exactly what happens when three guys in drag set out to hold a yard sale to sell their stuff - a remarkable collection of bright-colored wigs and whimsical knickknacks. And, oh, yes, a sex toy or two.
Well, when a play is titled "3 Guys in Drag Selling Their Stuff," you pretty much know that flamboyant costumery will be involved. This trio is wanting to sell stuff to raise money for an authentic Fabergé egg, which will become the final resting place for the cremated remains of Diva's husband Horace. Up until now, he's been kept in a pickle jar.

A spiked punch bowl keeps the laughs coming in "3 Guys in Drag."
Photo by Scott Griessel/Creatista, courtesy of Beowulf Alley Theatre Company

Diva, as played by Richard Chaney, is a balled-up bundle of nervous energy. Brittle humor is her weapon of choice to keep life's cruel challenges at arm's length. She has a handful of retorts for every situation, often with strings attached to her own ever-pulsing libido. Life can be so distracting for Diva, her cell phone is kept strapped to her thigh and set on vibrate. That way she won't miss any calls.
She struts, she swaggers, she flounces, she tries to lure bored passers-by into becoming active participants in this al fresco enterprise, but to no avail.

"May I service you," she asks an unseen shopper, then stops herself. "I mean, be of service to you?"
Effective business marketing was never one of her favorite subjects in school.
A cut glass bowl of bright red punch plays a prominent role, as well. Generously blended with alcoholic additives, the punch sinks lower in the bowl as the play goes on, and as the characters become increasingly disheveled.

The original idea was to attract attention by offering everyone free punch, encouraging them to browse among the items for sale. But by intermission, half the punch is gone and they still haven't sold anything. So for Act Two, the sign says "Free Punch. With Purchase."

As for those other two guys, Kenton Jones plays Lillian, a tall figure more fragile than Diva. Lillian is full of frets, happy to let Diva be the control freak. A life of the mind is more to Lillian's liking, especially when that mind is tuned in to psychedelic phenomena and astral projections.
She is the one who spikes the punch bowl with absinthe during intermission, then gives the audience a description of absinthe's effect and explains why it is illegal in the United States. As you might imagine, the bitter banter between Lillian and Diva is the sort we usually associate with old married couples - always complaining but never considering divorce.

Which is the point, really, of this surreal but touching comedy by Edward Crosby Wells. Whether you call them drag queens or cross-dressers, whether or not you admire their heightened appreciation for the extra dimensions of style in female clothing, these males have all the human emotions of everyone else. Just because their joys and sorrows are more color coordinated doesn't mean they are different.
Diva and Lillian do have a third friend, Tink, who is confined to a wheelchair. Tink can't talk much. She moves very little. Mike Sultzbach plays the role with remarkable concentration. Mostly he has to sit perfectly still. There are a few times when he gets to slip out of his body, so to speak, and talk to the audience about his problems.

Director Cynthia Jeffery has prepared a quickly moving production that puts the emphasis on heart. These three guys may be in drag but they aren't flouncing around or calling up all the gay stereotypes. They know firsthand that going through life in a dress is tough enough when you're a gal. Much more, when you're not.
Jeffery also wants us to see the determination of Diva, Lillian and Tink to be true to themselves. So what if they feel more comfortable in heels. They are still willing to take out the garbage, to do their part. Ultimately, you have to admit that courage in any gender is a quality to be admired.


IF YOU GO
What: Beowulf Alley Theatre Company presents "3 Guys in Drag Selling Their Stuff" by Edward Crosby Wells
When: 7:30 p.m. Thursdays-Saturdays, 1:30 p.m. Sundays through March 1
Where: Beowulf Alley Theatre, 11 S. Sixth Ave.
Price: $20, discounts online (Thursday's performance is a benefit for Wingspan, tickets $30 each)
Info: 622-4460, beowulfalley.org
Grade: B

Monday, February 16, 2009

Beowulf Alley Theatre Company Hosts Readers' Theatre

Beowulf Alley Theatre Company Hosts Readers’ Theatre

 

Tucson, Ariz. (February 16, 2009) — Beowulf Alley Theatre Company, 11 S. Sixth Ave., continues its Readers’ Theater Program on Tuesdays at 7:15 p.m. Admission is pay-what-you-will. Come support your local playwrights.

 

February 17

The First Third

by John Vornholt

March 10

The Funniest Joke in the World

By Gavin Kayner

April 14

Race Music

By Warren Bodow

 

Readers’ Theatre is a stimulating event and a terrific opportunity for both playwrights and audiences. Playwrights have a chance to be heard and audiences have a chance to hear new and dynamic works being developed for the theater as well as contribute to their development by participating in discussions following the readings. Throughout each year, guided by its Artistic Development Committee, Beowulf Alley Theatre will offer a selection of thought-provoking readings to Tucsonans and visitors to Tucson.

 

Playwrights may submit proposals for the inaugural 2008-2009 season by following the instructions, online at www.beowulfalley.org, “Cast & Crew,” “Directors & Playwrights,” “Playwrights.”  Inquiries regarding participation (actors, volunteers) in the Readers’ Theatre Program may be made by e-mailing theatre@beowulfalley.org.

 

Beth Dell

Theatre Manager 

 

Special Benefit Performance of Three Guys in Drag Selling Their Stuff, Feb. 19

The Observer - Tucson, Arizona: Special Benefit Performance of Three Guys in Drag Selling Their Stuff, Feb. 19

Wednesday, February 11, 2009



Special Benefit Performance of Three Guys in Drag Selling Their Stuff, Feb. 19

TUCSON (Observer Update) - Beowulf Alley Theatre, located at 11 S. 6th St., presenting Three Guys in Drag Selling Their Stuff by Edward Crosby Wells, directed by Cynthia Jeffery is hosting a special event to benefit Wingspan, Thursday, Feb. 19 the special performance of Three Guys in Drag Selling Their Stuff will be followed by a reception catered by Pastiche Modern Eatery.

Diva, Lillian, and Tink (three men in drag) are having a yard sale to raise funds for Faberge egg in which to place the ashes of Diva's dead husband. We meet an entire neighborhood of characters through the eyes of the "ladies" during the course of their yard sale. This is a raucous, ranchy, gut-busting, more than a laugh-a-minute play. Contains adult content. Arizona Premiere!

Tickets are $28 if purchased on beowulfalley.org and $30 if you call Beowulf Alley to buy them. Either way, $10 is donated directly to Wingspan and is tax-deductible, so please consider joining THEM for this fun show and for the reception afterwards! For tickets, call Beowulf Theatre at (520) 882-0555, or go online to beowulfalley.org.

Friday, February 13, 2009

It's a guy thing

It's a guy thing


It's a guy thing
In time for Valentine's Day, curtains rise on 2 plays highlighting tools of romance
CHUCK GRAHAM
Published: 02.12.2009

Celebrating Valentine's Day by going with your sweetie to the theater sounds lovely, civilized. Except this Valentine's Day you can do it with an edge and a fresh sense of how many ways there could be to properly observe this holiday dedicated to romance.




Richard Chaney (from left), Mike Sultzbach, and Kenton Jones are "Three Men in Drag."
Photo by Scott Griessel/Creatista, courtesy of Beowulf Alley Theatre



And you can still be deep in your seat in front of the stage as the clock ticks toward midnight. The Etcetera gang of late-night thespians at Live Theatre Workshop has flipped "The Vagina Monologues" on its ear with a rowdy and sometimes ribald production of its own, "The Penis Monologues." That 90-minute show starts at 10:30 p.m. Along with the monologues are two comedy interludes and a pair of big musical numbers.
But if that confrontational title seems a little too graphic, consider the other play opening this weekend, Edward Crosby Wells' "3 Guys in Drag Selling Their Stuff" playing downtown at Beowulf Alley Theatre. It's a comedy with adult content, says director Cynthia Jeffery.

As the title implies, a trio of older drag queens needs to raise some money. The "husband" of one has died. They want to store his ashes in a Faberge egg. So gathering up some of their most sentimental memorabilia, they put on a big yard sale - wigs, handcuffs, whips, that sort of thing. Oh yes, and there is a heavily spiked punch bowl involved to help stimulate buyer response.

According to one online reviewer describing the stage setting, "There was no shortage of sequins, feathers and sexual toys."

Says Jeffery, "It's definitely a comedy, but it also has some nice tender moments The men are in drag, but they are also real human beings with real feelings and real courage.
"And they are very sweet guys," she adds. "I would expect the audience to be emotionally moved, with big laughs."

The three characters are played by Mike Sultzbach, Kenton Jones and Richard Chaney (who also wrote one of those monologues being performed at Live Theatre Workshop). After some serious discussions at rehearsal about the difference between drag queens and transvestites, the cast turned to matters of learning to apply makeup like a female.

"We discussed how drag queens are men who dress like women to entertain audiences," Jeffery says. "Milton Berle did it. Flip Wilson did it. Divine brought it full force in John Waters' movies."
Even before that - in 1959 - Tony Curtis and Jack Lemmon did it on the big screen in "Some Like It Hot," playing musicians hiding out in an all-girl band to escape some gangsters.
"And since this play takes place in the daytime, our three drag queens aren't wearing as much glitz as if they were going out at night," Jeffery adds.

Applying makeup turned out to be a real eye-opener for the director.
"What surprised me is how elaborate the process is. I didn't realize before how much I've been naturally trained to do it."

Jeffery does say the language can get a little racy. These three queens are past middle age and filled with all the rue you would expect.

"There are a few blushing moments," the director chuckles, but compares the play to those Carol Burnett skits on TV that featured the character of Eunice. "Those skits were funny, but they always had a point."
Meanwhile, across town at "The Penis Monologues," Christopher Johnson as director is pulling together what he calls "a total community effort" in writing, performing and presenting this celebration of the male genitalia.

"I'd give all the credit to Eve Ensler, who wrote 'The Vagina Monologues,' " Johnson says.
While those seven monologues are combined with comedy interludes and musical numbers, Johnson keeps insisting his production is not about gender politics. He's going for an evening that is both thoughtful and fun.

"I started talking about the idea two years ago as a joke, really, but it was like, there was so much enthusiasm. They all said 'Of course.' It seemed like such a natural response to everyone."

That's when people all over town started writing and mailing Johnson their monologues for consideration. He estimates receiving 30 to 40 entries, a number of them written by women. That whole batch was winnowed down to the final seven, which LTW director of music Michael Martinez augmented with the musical numbers "Penis Gonna Shine" (with dreams of standing out as a porn star) and "Penis Is OK" (which Johnson describes as being about "equal rights").

On the list are monologues covering al the different roles the penis plays in society. One woman who was comfortable with her own body also admitted she enjoyed the idea of using a strap-on. But only one monologue is about penis envy.

Johnson says the subject didn't come up very often. A greater concern was the protest against circumcision. Their battle cry was "Save the Foreskin!"

"We simply want to express the idea that, regardless of how you choose to use your body, it will be beautiful," Johnson says.

The comedy interludes are provided by the improv company Not Burnt Out Just Unscrewed, using their improvisatory skills to play Penis Games with the audience. A few equally spontaneous bits are also being worked out as surprises for opening night.

"Yes," Johnson affirms with enthusiasm, "there will be a giant inflatable penis."
additional information

IF YOU GO
What: Beowulf Alley Theatre Company presents "3 Guys in Drag Selling Their Stuff"
When: 7:30 p.m. Thursdays-Saturdays, 1:30 p.m. Sundays through March 1
Where: 11 S. Sixth Ave.
Price: $10 preview Friday, $20 Saturday's opening night and thereafter (discounts for online purchase)
Info: 622-4460, beowulfalley.org

Funny men in drag | www.azstarnet.com ®

Funny men in drag www.azstarnet.com ®

Published: 02.13.2009

Funny men in drag
This is definitely not your father's yard sale
By Kathleen Allen
ARIZONA DAILY STAR

What Cynthia Jeffery has in mind is fun. Lots of fun. Jeffery is directing Beowulf Alley Theatre's production of "3 Guys in Drag Selling Their Stuff." She discovered the script when she was nosing around on the Internet one day. She thought it was funny. But would anyone else?


Mike Sultzbach, left, Kenton Jones and Richard Chaney are selling their stuff in the Beowulf Alley Theatre production of "Three Guys in Drag." Photo by Scott Griessel/Creatista Courtesy Beowulf Alley Theatre



"I passed it around at work and started hearing laughter down the hall," said Jeffery, who is more often seen on stage than behind the scenes.

"I just thought it was a fun show. I've been to drag shows here and in other countries. I always ended up feeling I had a great, trouble-free fun time. I thought it was time we had fun."

"3 Guys," by Edward Crosby Wells , is about a trio of friends, Diva, Lillian and Tink. They are elderly drag queens in full dress-up mode who are having a yard sale in hopes of raising enough money for one of them to purchase a Fabergé egg to contain the ashes of a partner.

It's Diva's sale. Her friend Lillian is helping, and Tink, wheelchair bound and out of it most of the time, seems to just sit there save for lucid moments when she tells the audience what's going on in her head.
Among the items being sold at the yard sale are handcuffs, chains and whips. Diva keeps her cell phone parked under her skirt; when it vibrates, she goes digging for it.
Are you getting the picture here?

"3 Guys" is a bit raunchy and outrageous. But, more important, said Jeffery, "it's really a story about how you approach life."

"The playwright has added a lot of humor, but it still tells the story of three friends, their lives and relationships," she said. "They are three-dimensional characters, not cut-out drag queens."
And, Jeffery added, it has something for everyone.

"It makes us laugh at ourselves, whether we are men or women. . . . It shows our similarities, and it does it with a smile."

Preview
"3 Guys in Drag Selling Their Stuff"
• Playwright: Edward Crosby Wells.
• Director: Cynthia Jeffery.
• When: Preview: 7:30 p.m. today. Regular performances: 7:30 p.m. Thursdays through Saturdays; 1:30 p.m. Sundays, Feb.14-March 1.
• Where: Beowulf Alley Theatre, 11 S. Sixth Ave.
• Tickets: Preview is $10, regular performances $20, with discounts available if purchased online.
• Reservations/information: 882-0555 and www.beowulf alley.org
• Cast: Richard Chaney, Kenton Jones and Mike Sultzbach.
• Running time: 2 hours, 10 minutes with one intermission.
Contact reporter Kathleen Allen at kallen@azstarnet.com or 573-4128.

Tuesday, February 10, 2009

Beowulf Alley presents Out to Lunch Theatre, "Let's Talk About Love"

 

TAKE A WORK BREAK, HAVE SOME LUNCH

AND JOIN USWEDNESDAYS for

February’s presentation of…

 

Out to Lunch Theatre

“Let’s Talk About Love”

at

Beowulf Alley

 

February 11, 18 and 25, 2009 @ 12:15p.m. for

 

30 MINUTES of THEATRICAL FUN!

3 - ten minute plays

 

written by local playwright, Warren Bodow

 

Stay Tuned, directed by Susan Arnold

Featuring Roxanne Harley

My Old Flame, directed by Amber Wright

Featuring Marian Wald and Art Jacobson

Street Smart, directed by Amber Wright

Featuring Nicole Scott and Jack Goodhart

 

BRING YOUR OWN LUNCH OR RESERVE a BAG LUNCH BEFORE 10 a.m.

(CREATED BY CHRIS’ CAFE) TO EAT WHILE WATCHING THE PLAYS

TICKET PRICES: $12 WITH Lunch; $6 BYO Lunch

 

CALL 882-0555 or order your tickets and lunch online at

www.beowulfalley.org

 

Please arrive before curtain @ 12:15…

Beowulf Alley Theatre is located at 11 South 6th Avenue

(Between Broadway and Congress)

 

 

Thursday, February 05, 2009

Open Enrollment for ActingLab@the Alley

Beowulf Alley Theatre Company and Philip Bennett

Present.......ActingLab@the Alley

A Professional Actor Training Program in Stanislavski’s Ultimate Technique

The Method of Physical Actions and Active Analysis

acting

8-Week Course - Introduction to the System “The Actor Works on Himself”

A practical introduction to the elements of stage action, improvisation, breath work, voice production and preparatory scene work. Fee: $350.00 – Less than $22 per hour!

(Limited discounts; payment plans may be available)

Saturdays - Level 1 Section A
February 7 –March 28, 2009
10:00am to 12:00 pm

OR

Wednesdays - Level 1 Section B
February 11-April 1, 2009
6:30 pm to 8:30 pm

 

"The duty of the instructor is to discover the spark of genius

within the student, and then to give the student the technical

skill and confidence to bring it to the fore."

 

 

Mr. Bennett is an award winning actor, director and instructor of the Stanislavski System of Acting. He is a founding member of the American Stanislavski Theatre (AST) in New York City and a protege of Russian emigre teacher and director, Sonia Moore. Phil served as the Assistant Artistic Director of AST where he was both an actor and instructor.

In 1976, he founded the San Francisco Theatre Academy at Fort Mason, and subsequently the Bennett Theatre Lab, an avant-garde actor training company. Internationally acknowledged for his expertise in both classical and contemporary theatre, he lectures and conducts workshops at prominent universities and conventions. Graduates appear regularly in films, on television and the professional stage.

For further information call: Philip Bennett at 520-495-5652

Class Size is Limited – Register NOW for the Winter Term

 

Tuesday, February 03, 2009

Beowulf Alley Theatre Presents "3 Guys in Drag Selling Their Stuff"

Beowulf Alley Theatre Company Presents 3 Guys in Drag Selling Their Stuff

(Tucson, AZ- February 3, 2009) — Beowulf Alley Theatre will present the fourth play of their main stage season, 3 Guys in Drag Selling Their Stuff by Edward Crosby Wells, at their theatre located at 11 South 6th Avenue (Downtown between Broadway and Congress). Winner of the 2000-2001 Spotlight on Best Play Award for Excellence in Off-Off Broadway Theatre, 3 Guys in Drag Selling Their Stuff is a raucous, raunchy, gut-busting, more than a laugh-a-minute play with ADULT CONTENT. Diva, Lillian and Tink (three men in drag) are having a yard sale to raise funds for a Faberge egg in which to place the ashes of Diva’s dead husband. We meet an entire neighborhood of characters through the eyes of the “ladies” during the course of their yard sale. Directed by Cynthia Jeffery, the cast includes Richard Chaney, Kenton Jones and Mike Sultzbach. This project is supported in part by funds from the LGBT-Straight Alliance Fund, a special project of the Community Foundation for Southern Arizona.

The $10 Preview performance is on Friday, February 13 at 7:30. The run is from Saturday, February 14-Sunday, March 1. Performances are on Thursday, Friday and Saturday evenings at 7:30 and Sunday matinees at 1:30. The single ticket price is $20. There are online discounts for single tickets and groups of 4 admissions when you purchase your tickets at www.beowulfalley.org. The running time is approximately two hours and twenty minutes including the intermission.

The Thursday, February 19 performance is a benefit and post-show reception for Wingspan. Tickets are an additional $10 ea. The additional funds will be given directly to this deserving community service organization. The reception is hosted by Pastiche Modern Eatery. Please join us for some fun while contributing to a worthy cause.

Saturday, January 24, 2009

Dinner serves more than just food - WildLife

Dinner serves more than just food - WildLife

Dinner serves more than just food
By: Kim Kotel
Issue date: 1/21/09 Section: WildLife


The Pulitzer Prize-winning play, "Dinner With Friends," written by Donald Margulies, exhibited nothing short of a spectacular performance of various kinds of relationships in the raw.

The performances run thru Jan. 25 at Beowulf Alley Theatre located in downtown Tucson, camouflaged among similar cement buildings, the tobacco store on the corner and a music shop across the street.

The first scene opens on a married couple, Gabe (Art Armquist) and Karen (Carrie Hill), gushing about their trip to Italy, the tomatoes, the little old lady smothering them in her fists -- oh, and Karen's erratic driving, while their longtime friend and solitary dinner guest, Beth (Rhonda Hallquist), looks about as excited as the emotionless panela dessert sitting on the counter.

It turns out the risotto has more ability to stick with it than Beth, and with a tearful burst of agony the plot unfurls; Beth's husband Tom has left her. He wants a divorce.

And suddenly an estrangement between husband and wife winds its way through the relationships both individuals possess with their best friends - couple to couple, friend to friend and, even for Gabe and Karen at the end of the cycle, husband to wife. The dialogue is packed with repressed energy, flaring unexpectedly and finishing every scene with driving force.

Perhaps the beauty of the play lies in its title "Dinner With Friends." A simple event playing itself off as an understatement. It's what drives the plot and what Beth, Tom, Karen and Gabe's world revolves around: conversations that change our delicate static of life with every word spoken and left unsaid.

The set looks like it got snatched from your own living room, and the acting was nothing short of impressive. Margulies captured a dark, volatile and very normal part of life, lacing it with humor and adding yet another dimension of what makes us human. Beowulf Alley Theatre Company and director Susan Arnold made it breathe.


--------------------------------------------------------------------------------

Dinner with Friends
Beowulf Alley Theatre Company
Runs through January 25

Actors and Crews wanted for LNT@the Alley and Out to Lunch Theatre

 

Media Contact:

Michael Fenlason (Late Night): MichaelFenlason@aol.com

Susan Arnold (Out to Lunch): smarnold@dakotacom.net

Beth Dell: theatre@beowulfalley.org

 

 

Beowulf Alley Theatre

11 South 6th Avenue · Tucson, AZ   85701

Administration 622-4460 · Reservations 882-0555

www.beowulfalley.org

theatre@beowulfalley.org

 

Actors and Crews wanted for LNT@the Alley and Out to Lunch Theatre

 

(Tucson, AZ – Jan. 24, 2009) Beowulf Alley Theatre Company is holding auditions for its late night and lunch time theatre series. Auditions will take place at 7:00 p.m. to 9:00 p.m. on Wednesday, January 28 at the theatre, 11 South 6th Ave, Downtown between Broadway and Congress. Performance for late night will be February 20-22 and February 27-28 at 10:30 p.m. Performances for the lunchtime theatre will be February 11, 18, and 25 at 12:15 p.m. for 30 minutes of theatre.

We are seeking a variety of actors for late night:

·         Males who can play characters 20-40s

·         Female actors who can play characters in their 20s-30s

There are three plays under consideration. One play is a musical so plan to come to sing any piece you want – a capella.

We are seeking a variety of actors for lunch time:

·         Males who can play characters from mid-20s to mid-40s

·         A male who can play a character from mid-50s to mid-70s

·         Females who can play characters from mid-20s to mid-40s

·         A female who can play a character from mid-50s to mid-70s

Lunchtime theatre includes three 10-minute plays and is presented to entertain those who need a lunchtime break from work, those who have free time during the day, seniors who are retired and folks with limited resources.

Sets, props and costumes are minimal. Rehearsals are scheduled according to availability of the director, cast and crew but will begin immediately. We invite the community to get involved. What you lack in pay will be made up in creativity, collaboration and FUN! We are also building a planning committee for late night activities and lunchtime theatres so if you have ideas or want to get involved, let us know. Turn your volunteer time into play time!

 

If you can’t make these dates and times but are interested or if you have any questions, contact Michael Fenlason (Late Night) at MichaelFenlason@aol.com, Susan Arnold (Out to Lunch) at smarnold@dakotacom.net or email Beowulf Alley at theatre@beowulfalley.org.