Wednesday, March 16, 2011

2011-2012 Main Stage Season of Plays

Announcing Beowulf Alley Theatre's

Provocative 2011-2012 Season of Plays

Beowulf Alley Theatre, at 11 South 6th Avenue, announces an entertaining, thought-provoking and challenging Main Stage Season of five plays for its seventh exciting year in Downtown Tucson.

 

 

 

Rough Crossing

by Oscar and Tony Award-winning Tom Stoppard

from an original play by Ferenc Molnar

Directed by Dave Sewell

September 8—October 2, 2011

 

 

Aboard the Italian Castle bound for New York are a quirky assemblage of show business egos, led by the writing team of Turai and Gal. Turai’s impossible mission: to somehow maneuver his partner, Gal, their neurotic composer, and two fading stars into cobbling together the next Broadway smash hit: The Cruise of the Dodo. His only prayer for success may well depend on the cabin steward with the unpronounceable name. Stoppard’s adaptation is no less than a retro-romp on the high seas!

 

“...(Stoppard) weaves an increasingly amazing pattern of verbal misunderstandings, eccentric character development, showbiz spectacle, and seagoing hazards, all of which come to occupy equal importance in the plot.” --London Times

 

 

Lear

by William Shakespeare

Adapted and Directed by Michael Fenlason

October 27—November 20, 2011

 

 

Lear’s decision to divide his kingdom among his three daughters ignites a firestorm of greed, betrayal, and murder. Cast out as patriarch, upended by pride and anger, Lear walks into the night with a madman and a fool. One of the greatest plays in world literature, Shakespeare’s tragedy strips away the trappings of society to reveal the unforgiving truth about the human condition: love and deceit, power and poverty, good and evil. This play’s special understanding of old age explains in part why this most devastating of Shakespeare’s tragedies is also perhaps the most moving. Considered to be the ultimate Shakespearean tragedy, we bring you this contemporary adaptation of a classic work.

 

 

We Won’t Pay! We Won’t Pay!

Adapted from 1997 Nobel Prize-winner, Dario Fo’s Can’t Pay! Won’t Pay!

Translated by Ron Jenkins

Directed by Susan Arnold

January 26-February 19, 2012

 

 

Dario Fo, one of Italy’s foremost playwrights, is a rarity-a Marxist with a sense of humor. This hilarious farce, a success Off-Broadway and across the U.S., is set in motion when a housewife comes home with groceries she has swiped as part of a spontaneous community action where 300 women did the same. In her effort to keep her secret from her husband, she hides some of the groceries under her best friend’s raincoat. Her husband and his friend, the accomplice’s husband, notice the bulge, of course, but they believe the explanation that the accomplice is pregnant! Hilarity is piled upon hilarity as the characters try to extricate themselves from the mess they have gotten into. Eventually, they all unite to support the spontaneous resistance to eviction in their housing project. This translation was prepared in consultation with Dario Fo and Franca Rhame in 1999 for its premiere at the American Repertory Theatre in Cambridge, MA.

 

 

The work of a social reformer with a fractured funny bone . . . Mr. Fo’s manic farce should be obligatory viewing for anyone battling, i.e., succumbing to, the high cost of living.” – The New York Times

 

 

Radium Girls

by D.W. Gregory

Directed by Sheldon Metz

March 15-April 8, 2012

 

 

In 1926, radium was a miracle cure, Madame Curie an international celebrity, and luminous watches the latest rage—until the girls who painted them began to fall ill with a mysterious disease. Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. Her chief adversary is her former employer, Arthur Roeder, an idealistic man who cannot bring himself to believe that the same element that shrinks tumors could have anything to do with the terrifying rash of illnesses among his employees. As the case goes on, however, Grace finds herself battling not just with the U.S. Radium Corporation, but with her own family and friends, who fear that her campaign for justice will backfire. This story changed laws in the country regarding protection of employees. Written with warmth and humor, Radium Girls is a fast-moving, highly theatrical ensemble piece. Nine actors portray more than 30 parts— friends, co-workers, lovers, relatives, attorneys, scientists, consumer advocates, and myriad interested bystanders. Radium Girls offers a “powerful” and “engrossing” theatrical experience, as well as, a wry, unflinching look at the peculiarly American obsessions with health, wealth, and the commercialization of science.

 

 

“a playwright with a talent to enlighten and provoke”

 

 

Sins of the Mother

by Israel Horovitz

Directed by Vince Flynn

May 3-27, 2012

 

 

Douggie returns to Gloucester after a long absence, wanting to learn more about his dead mother. He encounters a group of out-of-work stevedores whose knowledge of his mother’s past is as detailed as his is sketchy. As the past is dredged up, the depths of wounds it left are exposed and retribution is exacted. A powerful and compelling drama about revenge, forgiveness, and the comically human struggle to decipher which is which. This play contains strong language.

 

 

BEST NEW PLAY – The Independent Reviewers of New England Awards 2009

 

 

 

 

 

2011-2012 Season Subscriptions are on sale now by phone at (520) 882-0555 or on our website at www.beowulfalley.org. Subscribers who purchase their subscriptions by April 23, 2011 will receive one or two FREE tickets per subscription, depending on the type of subscription purchased, to be used for a regularly scheduled main stage performance in the season.

 

 

 

A sixth special event will be offered for the holiday season. 2011-2012 subscribers may purchase tickets at their single ticket price beginning September 1st. General public tickets will go on sale October 1st.

:

 

A Cactus Christmas

by John Vornholt

Directed by TBA

December 9—23, 2011

 

In the ghost town of Wishbone, AZ stands a run-down saloon called the Yellow Dog, a dusty, run-down place that hasn't been used for anything in a century or so. Two desert rats, Alice and Pete, have taken up residence in early October in the old saloon, declaring squatter’s rights. They’re searching for The Treasure Trove of the Lost Turk that Pete believes is in the old mine on the property. Visitors from the East Coast arrive quite unexpectedly. This is dad Jeffery’s year to pick the family vacation and he’s looking for a tour of ghost towns. The rest of the family members like the resort life. Pete drums up a plan to take advantage of the Easterners’ good fortune but somehow that darned ghost keeps interfering.

 

 

This original script has been written for Beowulf Alley as a family-friendly tale for the holiday season by Tucson’s own John Vornholt. Performances are limited but will be an entertaining evening for your out of town guests, too!

 

***

2011-2012 Season Subscriptions

Full Season 5-plays: $80.00

Flex Pass (4 your way): $72.00

Sunday Senior 60+ , Student, Military (ID required): $60.00

 

Wednesday, March 09, 2011

Tucson Weekly: The Best of Tucson, News, and Everything That Matters

Tucson Weekly: The Best of Tucson, News, and Everything That Matters

Staff Pick

BEOWULF ALLEY THEATRE COMPANY

Beauty Queen of Leenane, about the malevolence of people leading hopeless lives in a small, Irish town,… More

@ Beowulf Alley Theatre Company Fridays-Sundays, 7:30 p.m. and Sundays, 2:30 p.m. Continues through March 13 11 S. Sixth Ave.

Friday, March 04, 2011

'Beauty Queen' a compelling, disturbing comedy

'Beauty Queen' a compelling, disturbing comedy

'Beauty Queen' a compelling, disturbing comedy

Kathleen Allen Arizona Daily Star | Posted: Friday, March 4, 2011

Medea, step aside.

You ain't got nothin' on Mag, the mother in Martin McDonagh's "The Beauty Queen of Leenane."

Mag is mean, malicious, malignant. And in Beowulf Alley Theatre Company's production, which opened Saturday, Cynthia Jeffery made every vicious bone in Mag's body pop.

Like Jeffery, [Rhonda] Hallquist brought a vividness to her character. We knew her disgust, tasted her frustration, but we're horrified at her solution.

Jared Stokes did a fine job as Pato, Maureen's suitor. And Robert Anthony Peters is doing some of his best work in his role as Ray, Pato's brother.

... director Metz staged a production that presented the drama and the macabre without a heavy hand, kept the brogues on track, and showed a strong affection for and understanding of the work.

Read the entire review here: 'Beauty Queen' a compelling, disturbing comedy


Wednesday, March 02, 2011

Domestic Dysfunction | Review | Tucson Weekly


Domestic Dysfunction

The Beauty Queen of Leenane at Beowulf Alley Theatre
Tucson Weekly

Director Sheldon Metz has chosen an excellent cast and coaxed enthralling performances from them. Jeffery's performance as Mag is entirely free of mean-old-lady caricature. Every moment feels completely, repellently real. It takes courage to fully commit to such an unlikable character, and that integrity ultimately wins our sympathy, if not our love.
Robert Anthony Peters and Rhonda Hallquist in 

Beowulf Alley Theatre Company'sThe Beauty Queen of Leenane.

Hallquist wisely plays up Maureen's no-nonsense nature, leaving the sinister foreshadowing to others. Her warm, sympathetic energy lets us overlook her character's sometimes-cruel behavior. But once the gap between tone and conduct becomes too wide to ignore, we can look back and see how Hallquist planted the seeds of violence from the beginning.
Jared Stokes, as Maureen's gentleman caller, Pato, exudes enough compassion to shine in that toxic cottage. He's no saint—Pato's a bit handsy with the ladies—and Stokes paints a very human portrait of a man who's essentially good, but also weak.
Robert Anthony Peters rounds out the cast as Pato's brother, Ray. Ray is, in some ways, as blind to others' feelings as Mag is. But rather than adding to the gloom, Peters makes Ray's casual cruelty a comic, youthful counterpoint to the women's Pyrrhic warfare.

KUAT program featuring interview with Beth Dell, Managing Director

Tuesday, March 01, 2011

The Beauty Queen of Leenane

The Beauty Queen of Leenane

... the most remarkable performance of the city’s entire theater season ...

THIS "BEAUTY QUEEN" PACKS APUNCH

by Chuck Graham
Let the Show Begin
TucsonStage.com

There is bleakness and bite in the Irish humor of Martin McDonagh's "The Beauty Queen of Leenane," now playing downtown at Beowulf Alley Theatre, 11 S. Sixth Ave. As director, Sheldon Metz finds his laughs in the hapless lives of four Irish villagers who aren't having much success trying to muddle through the daily challenges of their shabby existence.

Maureen (Rhonda Hallquist) is a 40-year-old spinster desperate to break the cycle of despair, though she feels shackled by the irons of responsibility – most particularly caring for her cantankerous and manipulative mother. Sure there must be a streak of co-dependency involved in getting to this point, but when the play opens Maureen is already about to explode.

Cynthia Jeffery in the most remarkable performance of the city's entire theater season completely disappears into the role of Mag, which rhymes with hag, which is exactly who she is. Quarrelsome from dawn to dark, her face frozen in anger, her only purpose is to make others miserable.

chuck review

Yet, neither Metz nor Jeffery sees the personality of Mag as one-dimensional. She is an aging woman alone in the world, with no resources. She is frightened at the prospects of an empty house.

Of course her daughter Maureen needs a man. But the risk of letting Maureen get married and hoping for the best is more than Mag can manage.

We are given opportunity to understand that. Not that Mag is sympathetic, but we do appreciate what she is up against.

Of course Maureen also has a skeleton of consequence in her closet, or else she wouldn't be a spinster – not even in Leenane.

The men are young Ray (Robert Anthony Peters) and his older brother Pato (Jared Stokes). Their functions are to keep the plot moving, which they do with confidence and Irish bluster.

Once the tragically fierce relationship between Mag and Maureen is established, we meet Pato an awkward bachelor that Maureen sees as her last chance for happiness.

More laughs ensue when Pato comes for dinner, defenseless against Mag's attacks. But Pato does spend the night, so the race is on.

McDonagh is also a young playwright who lives the eagerness of young people itching to be on their own if they can just find a way to become independent. Ray is one of those grown-up children whose own frustration with village life makes him a time bomb of emotions.

Ray becomes the x-factor in this fragile relationship between Maureen and Pato. But even more powerful is the play's final resolution in the final scene, when we realize "The Beauty Queen of Leenane" isn't about the four people on stage. It is about all of us.

Performances continue through March 13 at 7:30 p.m. Thursdays through Saturdays, 2:30 p.m. Sundays, at Beowulf Alley Theatre, 11 S. Sixth Ave. Tickets are $23, with discounts online and on certain nights. The Thursday, March 3, performance is a benefit for the St. Patrick's Day Parade. Following the Sunday, March 6, matinee is a concert of Irish folk music by Scatter the Dust, which requires a separate ticket ($12 in advance, $15 at the door).

For details and reservations on all these events, go to www.beowulfalley.org

Saturday, February 26, 2011

Audition for the World Premiere of Fronting the Order

Audition Notice

 

Playwright Warren Bodow and Beowulf Alley Theatre at 11 South 6th Avenue are seeking non-Equity actors for the World Premiere of Fronting the Order, directed by Sheldon Metz. Evening rehearsals begin March 14 and run Mondays through Thursdays. The performance dates are April 8-23.

 

Please refer all questions and submit your resume and photo to the director, Sheldon Metz, at thedrektor@gmail.com or call 310-367-5640. Include in the e-mail subject line: Fronting the Order.

 

The play takes place in 1958.

 

Needed: 2 males 20-24,

Pete: A tough guy in attitude only. He doesn't stand behind his appearance. He's a huge Elvis fan. Good comic timing.

 

David: Good looking college boy, Jewish, intelligent, at least 6' tall. Strong, versatile actor needed.

 

 

'Beauty Queen' humor emerges from provocative perspective

'Beauty Queen' humor emerges from provocative perspective

'Beauty Queen' humor emerges from provocative perspective

Kathleen Allen Arizona Daily Star | Posted: Friday, February 25, 2011

Sheldon Metz likes his comedy dark.

So it stands to reason that he loves Martin McDonagh's "The Beauty Queen of Leenane," which Metz is directing at Beowulf Alley Theatre.

It just doesn't get much darker than this. McDonagh's first play (1996) is powerful and brilliant enough to win him accolades, awards and fans in Ireland, London, and New York City.


"Beauty Queen" will make you laugh, and it may depress you. It may even do both. What Metz is most concerned about is that it provoke you.

"I want the audience to understand that we are all capable of different things, and can change our lives if we want to," he says.

Read the entire preview here: 'Beauty Queen' humor emerges from provocative perspective

Tuesday, February 22, 2011

AUDITION for HEAD THE MUSICAL

AUDITION NOTICE

HEAD THE MUSICAL

WHEN:          March 19 and 20th (Saturday and Sunday), 2-5pm. Callbacks that same Sunday, 6:30-9:30 pm, and possibly the following Monday, 6:30-9:30pm.

WHERE:        Beowulf Alley Theatre, 11 South 6th Avenue, 85701

WHAT TO PREPARE:       For your audition, please prepare a song to sing a capella. There will be a keyboard for you to get your starting pitch. Your audition may also include a cold read and/or some simple improv. Callbacks will include more reads and a song from the show, which we will provide you before the audition (so it is important that you RSVP to casting@headthemusical.com and to ask any questions in advance). 

__________________________________

 

SYNOPSIS

 

Dr. Bill Cortner has been conducting illegal experiments with human transplants when his girlfriend Jan is decapitated in a car wreck. Death be damned, Bill keeps Jan's head alive on a table using a special serum and goes out in search of a new body. Meanwhile, Jan becomes a blood-thirsty witch and develops psychic powers that put her in contact with one of Bill's earlier experiments, a "hideous" creature locked in the laboratory closet! While Bill hunts for a woman with primo T and A to replace Jan's body, the two freaks in the lab plot their revenge on the overweening doctor!

Head the Musical! is an ‘R’-rated pop/rock adaptation of the classic 1960’s sexploitation/horror film, The Brain that Wouldn’t Die. Crass, crude, and thoroughly hilarious, Head is currently nominated for three LA Weekly Awards for its recent 5-month run at the Met Theatre in Hollywood, where it will be re-opening on a larger stage in October. Head the Musical draws favorable comparisons to The Rocky Horror Show, Little Shop of Horrors, and Evil Dead: the Musical. This Tucson premiere is a joint production between Beowulf Alley Theatre and the creators of the musical, and it will feature brand-new material.

 

CHARACTER BREAKDOWNS

Bill Cortner:  A medical doctor. Faustian genius, seducer, misogynist, egomaniac, predator, old-school Marcello Mastroianni-style smooth operator. He is hunting for a new body to fix his broken trophy wife. -- Baritone.

Jan:  Bill’s young, naïve, sexually curious fiancée becomes a revenge-driven, blood-thirsty, telepathic harpy from hell when Bill keeps her severed head alive against her will! -- Pop Soprano / Belter.

Kurt:  Bill’s lab assistant. His mangled arm is the result of one of Bill’s failed experiments. – Tenor, or Baritone with strong falcetto.

Creature:  A Frankenstein creation assembled from the limbs of amputees. He is kept locked in the closet because he is supposedly hideous, but in fact he is quite good-looking and radiantly charismatic. -- Rock tenor.

Jeannie:  A college friend of Bill’s. Smart, sophisticated, liberal, independent, and self-assured, she practices “sex positive” feminism to the point of raging nymphomania! -- Pop mezzo soprano or alto.

 

Detectives: A couple of hardboiled detectives.

 

Doublings:

__________________________________

Dr. Cortner Sr.:  Bill’s domineering, moralizing father.
Seductra:  A burlesque performer past her prime still competing with her younger rivals for the attention of men. Played in drag. -- Tenor
__________________________________

__________________________________
Bambi:  A foul-mouthed stripper and Seductra’s younger rival.
Donna:  A friend of Jeannie’s. Also a nymphomaniac.
Doris:  A tragic, reclusive figure model who shuts out society because of a tiny scar on her cheek. She distrusts all men due to an abusive ex-boyfriend. – Pop mezzo soprano.

 

Thursday, February 17, 2011

Active Imagination Theatre presents "Shenanigans"

Shenanigans

Active Imagination Theatre at

Beowulf Alley Theatre

 

(Tucson, AZ) Active Imagination Theatre at Beowulf Alley Theatre, 11 South 6th Avenue will present it’s family-friendly, educational, interactive play, Shenanigans, at 12:00 noon on March 5, 6, 12, 13, 19 & 20, 2011.

 

When a local farmer steals the leprechaun’s bucket of gold, the leprechaun trades three wishes to get it back.

 

Ticket Prices are:

Online advance purchase at www.beowulfalley.org:

$5 children & $8 adults

At the door or by phone:

$5 children & $10 adults

3 and under in parents’ laps always free.

 

Call the box office at (520) 882-0555 for further information and to ask about our lively birthday parties or to schedule a visit to your child’s day care, pre-school or elementary school. Prices are very reasonable for this lively, educational event!

 

 

Concerts at the Alley presents A Concert by Scatter the Dust

A Concert by Scatter the Dust

Presented by

Beowulf Alley Theatre

 

Beowulf Alley Theatre at 11 South 6th Avenue will present a concert by Irish folk musicians, Scatter the Dust, on Sunday, March 6, 2011, 7:00 p.m. Tickets are $12  up to day before and $15 at the door. To purchase online, please use our website at www.beowulfalley.org or call the theatre at (520) 822-0555.

 

Scatter the Dust is an exciting new trio in Tucson performing lively traditional Irish dance music.  The group features Sharon Goldwasser on fiddle, Eric Wilson on the uilleann bagpipes, and Frank Daley on guitar, bodhran, and cittern.  The name is inspired by a popular Irish jig titled "Scatter the Mud" but due to a shortage of mud around Tucson, we have no choice but to 'Scatter the Dust'!

 

Special guests featured in the program include singer Jamie O'Brien, drawing on an extensive background of Irish, English and Scottish folk songs, and a bit of fancy footwork from the Maguire Academy of Irish Dance.

 

 

Late Night Theatre presents Word Clouds

Late Night Theatre at Beowulf Alley Presents

Word Clouds

by Tomas Ulises-Soto and Michael Fenlason

Tales of Tragedy and Triumph in Tucson

Beowulf Alley Theatre’s Late Night Theatre will present five performances only of a new play, Word Clouds, by Tomas Ulises-Soto, directed by Michael Fenlason. Performances are on March 4, 5 11, 12 at 10:30 p.m. and March 9 at 7:30 p.m. Tickets are $8 online at http://www.beowulfalley.org/html/tickets.html at least the day before each performance and $10 by phone (520) 882-0555, or at the door the night of performance. A portion of each ticket will be donated to the Community Food Bank.

 

Word Clouds is about the reactions, feelings and responses of a community, our leaders and our nation resulting from the tragic attempted assassination of Congresswoman Gabrielle Giffords and other community members and the death of others in our community at the Tucson Oracle Road Safeway. Community theatres around the country tend to represent popular plays and offer the opportunity to watch, participate and learn from the theatrical process. Late Night Theatre does this as well, but we also believe it is important to tell our City’s many stories, to address our community’s challenges and to inspire our audiences to think, feel and discuss these issues of the day.

 

Following each performance, at the request of the audience members, we will hold a discussion  to help bring about understanding, healing and connection. These discussions will be moderated by two local counselors and performing artists, Carrie Hill and Pete Swan.

 

The characters in this new play are not politicized. They’re Tucsonans: a trauma nurse; a pastor; a teacher; and an aspiring singer. By presenting real people and their reactions to those tragic events with compassion, honesty, and community, we hope to inspire our audience and your fellow southern Arizonans to come together and to remember the events of that day and those times - in short, to remember and to find a way to heal, to hope, to grow and to learn.

Audition - Beowulf Alley Theatre' OUT TO LUNCH THEATRE

Beowulf Alley Theatre Announces

General Audition Call for Lunch Time, Brown-Bag Series

OUT TO LUNCH THEATRE

 

Auditions for Out to Lunch Theatre at Beowulf Alley Theatre will hold a general audition call for  lunchtime series and here’s the information:

 

WHO: Actors/Actresses all ages who are available for DAYTIME REHEARSALS and PERFORMANCES 

DATE/TIME: February 28, 6-8 p.m.

LOCATION: Beowulf Alley Theatre, 11 South 6th Avenue, Tucson

BRING: Headshot/Resume

CONTACT: Susan Arnold: smarnold@dakotacom.net

 

Daytime rehearsals begin immediately. Performances are Fridays at Noon.

Old Time Radio Theatre presents Classic Radio Stories in March and April

Old Time Radio Theatre Ensemble Company

At Beowulf Alley Theatre

Presents A Selection of Classic Radio Stories in March and April

 

Beowulf Alley Theatre’s Old Time Radio Theatre Ensemble Company will present classic stories from the Golden Age of Radio in March and April, at the theatre, 11 South 6th Avenue (Downtown between Broadway and Congress). Admission is $8 online a day in advance at www.beowulfalley.org or $10 at the door. Children 4-12 are always $5. The box office phone number is (520) 882-0555. Performances are usually on the first and third Tuesdays of the month at 7:00. Please check our online calendar at www.beowulfalley.org to confirm.

 

March 1, 2011

 

LIGHTS OUT: CAT WIFE and CHICKEN HEART plus

VIC & SADE: MELVIN LANDED A JOB

 

Lights Out, an early example of a network series devoted mostly to horror and the supernatural, predated Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. Lights out was first broadcast on WENR in January, 1934, on Wednesday evenings, and continued until 1947. It was run on television from 1949-1952. Written by horror specialist, Arch Obeler, Cat Wife and Chicken Heart are two of the venerable series’ classics. Cat Wife is a tongue-in-cheek, over-the-top, horror show, meant to amuse as well as scare the audience. Boris Karloff flew all the way to Chicago just to perform this show because it was a take-off of the movies he had acted in over many years. In Chicken Heart, Oboler's unique choice of monster was inspired by a Chicago Tribune article announcing that scientists had succeeded in keeping a chicken heart alive for a considerable period of time after its having been removed from the chicken. Part of the episode's notoriety stems from a classic stand-up routine by comedian Bill Cosby, an account of his staying up late as a child to listen to scary radio shows against his parents' wishes and being terrified by the chicken heart. “It’s-later-than-you-think!”

 

Vic and Sade was an American radio program, created and written by Paul Rhymer. It was regularly broadcast on radio from 1932 to 1944, then intermittently until 1946, and was briefly adapted to television in 1949 and again in 1957. During its 14-year run on radio, Vic and Sade became one of the most popular series of its kind, earning critical and popular success: according to Time, Vic and Sade had 7,000,000 devoted listeners in 1943. For the majority of its span on the air, Vic and Sade was heard in 15-minute episodes without a continuing story line. The central characters, known as "radio's home folks," were accountant Victor Rodney Gook, his wife Sade and their adopted son Rush. The three lived on Virginia Avenue in "the small house halfway up in the next block." The program was presented with a low-key ease and naturalness, and Rhymer's humorous dialogue was delivered with a subtleness that made even the most outrageous events seem commonplace and normal. "Well, sir, it's late afternoon as we approach the small house half way up in the next block."

 

March 15, 2011

 

LIFE WITH LUIGI: SPRINGTIME AND THE DANCE LESSON and

THE SHADOW: THE SILENT AVENGER

 

Life with Luigi was a radio comedy-drama series, which began September 21, 1948 on CBS, broadcasting its final episode on March 3, 1953. The story concerned Italian immigrant Luigi Basco, and his experiences as an immigrant in Chicago. Many of the shows take place at the US citizenship classes that Luigi attends with other immigrants from different countries, as well as trying to fend off the repeated advances of the morbidly-obese daughter of his landlord/sponsor. Luigi was played by J. Carrol Naish, an Irish-American. Naish continued in the role on the short-lived CBS television version in 1952 and was later replaced by Vito Scotti when the series was briefly revived in the spring of 1953. With a working title of The Little Immigrant, Life with Luigi was created by Cy Howard, who earlier had created the hit radio comedy, My Friend Irma.

 

The Shadow is a collection of serialized dramas, originally in pulp magazines, then on 1930s radio and then in a wide variety of media, that followed the exploits of the title character, a crime-fighting vigilante with psychic powers. One of the most famous pulp heroes of the 20th century,

The Shadow has been featured in comic books, comic strips, television and at least five movies. The radio drama is well-remembered for those episodes voiced by Orson Welles. On September 26, 1937, The Shadow radio drama officially premiered with the story "The Deathhouse Rescue", in which the character had "the power to cloud men's minds so they cannot see him." This was a contrivance for the radio; in the magazine stories, The Shadow did not have the ability to become literally invisible; he influenced the minds of his opponents by making them see him a few feet to the right or left of where he really stood. "The weed of crime bears bitter fruit. Crime does not pay.... The Shadow knows!"

 

April 5, 2011

 

THE BICKERSONS: EASTER,

VIC AND SADE: SADE THINKS BASEBALL IS JUST A GAME and

THE LONE RANGER: A DOCTOR’S STORY

 

The Bickersons, starring Don Ameche and Frances Langford, began as a radio sketch comedy and later became its own series. John and Blanche Bickerson spent their entire time in a relentless verbal war. Their quick dialogue brought laughter to all. Vic and Sade became one of the most popular series of its kind, earning critical and popular success: according to Time, Vic and Sade had 7,000,000 devoted listeners in 1943. The central characters, known as "radio's home folks," were accountant Victor Rodney Gook, his wife Sade and their adopted son Rush. The three lived on Virginia Avenue in "the small house halfway up in the next block." The Lone Ranger  is an American radio and television  icon. The title character is a masked Texas Ranger in the American Old West, originally played by George Seaton on radio, but more famously by Clayton Moore on TV, who gallops about righting injustices with the aid of his clever, laconic Native American companion Tonto, played by (amongst others) John Todd, Roland Parker, and on TV, by Jay Silverheels. Tonto usually referred to the Lone Ranger as his “quimo sabe,” meaning "trusty scout" or "trusted friend." Departing on his white stallion, who responded to the name of Silver.  These sayings, as well as the theme music from the William Tell Overture, are indelibly stamped in the memories of millions of Americans (and Britons) who came of age during the decades of the show's initial popularity or viewed the television series run nearly continuously for past fifty years.

 

April 19, 2011

 

THE WESTERN – EPISODE 1: LAWLESS BREWSTER and

ARIZONA RANGERS, MEN OF DANGER – EPISODE 1: MOSSMAN

 

Back in the grand old days of radio, our own John Vornholt wrote for radio( and TV). This episode of The Mutual Radio Theatre’s The Western (Episode 1: Lawless Brewster), starred John Dehner and was narrated by Lorne Greene. Old Pueblo Playwrights’ Avylinn Pwyll wrote Arizona Ranger: Men of Danger: Episode 1: Mossman, as a radio show, especially for OTRT,  and for the benefit of, and to honor, the Arizona Rangers. It was first presented at The Congress Hotel in conjunction with Dillinger Days, 2011. This is the beginning of a series of radio scripts based upon true stories of the early years of the brave men who enforced the law in the Arizona Territory.

 

Directed by Sheldon Metz, the OTRT Ensemble Company includes Jon Benda, Janet Bruce, Butch Bryant, Gerri Courtney-Austein, Laura Davenport, Samuel De Jesus, Evan Engle, Sydney Flynn, Vince Flynn, Audrey Ann Gambach, Barbara Glover, Bill La Pointe, Elizabeth Leadon, Butch Lynn, Steve McKee, Whitney Morton, Joan O'Dwyer, Shannon Brooke Rzuildo, Mike Saxon, Danielle Shirar, Ina Shivack, Terry Thune, Pat Timm, Jared Stokes, Brian Wees and John Vornholt .